SKABARETCH OF BARBARICIRIDICOLI – SANTA TERESA OF GALLURA – MONDAY JULY 16

With the representation of the show Skabaretch, kicks off Monday, July 16 the Festival
“EstaTEatro” organized, with free admission and the contribution of the municipal administration of S. Teresa,
The Barbariciridicoli by the Company, the hilarious theater group in the province of Nuoro, which finally returns
Gallurese town with three shows that snoderanno along the course of the summer.
At the opening event will follow it eats Gene gene (August 10), a performance
comedian who always puts in doubt the sustainability of energy related to the era of human behavior
consumerism (the show is the Company’s The Crucible, a guest of Barbariciridicoli), and finally close the
I still review the Company Barbariciridicoli with Bingo Bongo and the batch of soap bubbles (3
September), an extraordinary race of giant soap bubbles, theater and circus gags between the two hilarious
clowns and presented albitrati improbable Gonaria Soap!
With Skabaretch, the Company Barbariciridicoli The show on stage in a totally new and
through a series of sketches, improvisations, and theater animations, interpretive skills gained in
field acting on the subject of the main players-improvisers of the company (Charles Paletta
Valentina Loche, Letizia Marras, Fabio and Gianni Putzu Milia), which will submit one or more theatrical songs
original and / or semi-improvised.
Interventions are announced during the show of animation with the direct involvement of the public
in exercises and theater games typically. Among the sketches provided the pantomime sound, and the scene ostrogotzo
a special appearance by Manuela Consuelo Mereu (character actress with whom Letizia Marras
participated in the program “Outside air” of Videolina).

The theater company I Barbariciridicoli was founded in 1993 by director and art director Tino
Belloni and promotes a modern and popular theater culture, dealing especially with the different styles,
language and themes of theatricality and drama of the modern (Dario Fo and Franca Rame, Lina
Wertmuller, Eugene Ionesco, Sergio Tofano, Rodari, Achille Campanile, original texts), with proposals
innovative but very attentive to the relationship with the public and always based on the comic theater, with the
socially healthy awareness of the value of a collective good laugh.
The choice of a popular theater with a characterization is dictated by a profound conviction of the
needs of the theater as a social act, as art that has meaning only because it is based on communication
and as the supposed existence of another important subject of the artistic experience: the viewer,
indeed, without which there can be no act of theater.