NABUCCO – LYRIC THEATRE CAGLIARI -SEPTEMBER 28 TO OCTOBER 7 Reviewed by admin on . NABUCCO - Teatro Lirico di Cagliari - 28 SEPTEMBER 7 October Friday, 28 September 2012, 20.30 - session A Saturday, September 29, 2012, at 19 - session G Monday NABUCCO - Teatro Lirico di Cagliari - 28 SEPTEMBER 7 October Friday, 28 September 2012, 20.30 - session A Saturday, September 29, 2012, at 19 - session G Monday Rating:

NABUCCO – LYRIC THEATRE CAGLIARI -SEPTEMBER 28 TO OCTOBER 7

NABUCCO – Teatro Lirico di Cagliari – 28 SEPTEMBER 7 October
Friday, 28 September 2012, 20.30 – session A
Saturday, September 29, 2012, at 19 – session G
Monday, October 1, 2012, at 20.30 – session F
Wednesday, October 3, 2012, at 20.30 – session B
Friday, October 5, 2012, at 20.30 – session C
Sunday, October 7, 2012, at 17 – session D

NABUCCO
lyrical drama in four parts
booklet Themistocles Solera, from the drama of Nabuchodonosor Auguste Anicet-Bourgeois and Francis Cornu and dancing Nebuchadnezzar of Antonio Cortesi
music Giuseppe Verdi

Characters and interpreters

Nabucco, Paul cones (28, 3, 5, 7) / Ivan Inverardi (29, 1)
Ishmael, Alessandro Liberatore (28, 3, 5, 7) / Robert Iuliano (29, 1)
Zachary, Patrick Simper (28, 3, 7) / Matthias teeth (29, 1, 5)
Abigaille, Dimitra Theodossiou (28, 3, 5, 7) / Anna Pirozzi (29, 1)
Fenena, Tiziana Carraro
The High Priest, Seung Pil Choi
Abdallo, Nicola Pamio
Anna, Francesca Secondino

master conductor and conductor Donato Renzetti
Orchestra and Chorus of the Teatro Lirico
chorus master Mark Faelli

directed by Leo Muscato
scenes Tiziano Santi
costumes Silvia Aymonino
Alessandro lights Verazzi

refurbishment of the Teatro Lirico di Cagliari
in co-production with the Board Concerts “Marialisa de Carolis” in Sassari

Nabucco is the third book (the original title was Nebuchadnezzar full) by Giuseppe Verdi and the one that decreed the success. Composed to a libretto by Themistocles Solera, Nabucco made its debut March 9, 1842 at the Teatro alla Scala in Milan.
It has often been read as the work of Verdi’s most Risorgimento, as the Italian audiences of the time they could recognize their political condition of the Jews in the Babylonian subject to the domain.

This type of reading is, however, mainly focused on the famous choir ‘Go, thought, on wings of gold, tuned precisely by the people jew. The rest of the drama is instead focused on the dramatic figures of the king of Babylon, Nebuchadnezzar II and his alleged daughter Abigail.

Should also be noted that the librettist Solera joined the battle of the Risorgimento by Neo-Guelphism positions, a circumstance which would justify the placement of religious authority, the inflexible priest Zaccaria, head of the Jewish faction. A view not shared by Verdi, whose sympathy and playwright whose interest focused mainly towards the more complex figures and tormented the Babylonian tyrant and Abigail.

Few may know that, originally, the name given by Giuseppe Verdi to his work was “Nebuchadnezzar”, but given the length of the same on the poster, was divided into two lines, namely “Nabucco” and, at the head, “Donosor” but If people did just the first line. Hence the name recognition of the work so far as the “Nabucco”

Office of Teatro Lirico
by Sant’Alenixedda, 09128 Cagliari
phone +39 0704082230, + 39 0704082249, fax + 39 0704082223
biglietteria@teatroliricodicagliari.it – www.teatroliricodicagliari.it – www.greenticket.it
times
Monday to Friday from 10 to 13 and from 17 to 20, on Saturdays from 10 to 13 and in the hour before the show
closed on public holidays

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