MOSCHETA with TULLIO SOLENGHI – MASSIMO THEATRE SARDINIA – CAGLIARI – 15 and 17 NOVEMBER Reviewed by admin on . MOSCHETA Tullio Solenghi, Maurizio Pavement, Barbara Moselli, Enzo Paci Directed by Marco Sciaccaluga Scene and costumes Guido Fiorato Starring two protagonists MOSCHETA Tullio Solenghi, Maurizio Pavement, Barbara Moselli, Enzo Paci Directed by Marco Sciaccaluga Scene and costumes Guido Fiorato Starring two protagonists Rating:

MOSCHETA with TULLIO SOLENGHI – MASSIMO THEATRE SARDINIA – CAGLIARI – 15 and 17 NOVEMBER

MOSCHETA
Tullio Solenghi, Maurizio Pavement, Barbara Moselli, Enzo Paci
Directed by Marco Sciaccaluga
Scene and costumes Guido Fiorato

Starring two protagonists of contemporary comedy such as Tullio Solenghi (Ruzante) and Maurizio Pavement (Menato), with Barbara Moselli (Betia) and Enzo Paci (Tonin) Moscheta stages with original comic force a peasant world crude and sensual, but better of that sliced and deceiver of the city, in which the triumph of the language “moscheta” which belongs to the clever and cheaters.
Moscheta is a comedy, with liberty and inventive force comparable only to those of the almost contemporary of Machiavelli Mandragola, addresses important topics (in the background there is a war between Spain and France for control of the territory) and sexually explicit ( the triangle of males that revolves around Betia), drawing within these, with wonderful comic evidence, behavior and psychology of characters hardly forgettable.
A language dialect hours and hours “moscheto” to Ruzante (1496c. – 1542), that in this new staging is also made accessible to the audience today through the discreet and loving “adaptation” required by the Genoese Stable specialist Gianfranco De Bosio, who was responsible since the fifties, the rediscovery of the writer and actor Padua on Italian stages.
The provincial Menato leave the country to get to Padua’s wife Ruzante, Betia, who had been his lover and that states still in love. Rejected by the woman, Menato think to conquer making quarrel with her husband, and, for this, he confides to Ruzante seeing Betia accept the courtship of a stranger. In fact, the woman is sexually attracted to Tonin, a soldier from Bergamo his neighbor, but when the Ruzante comes disguised as “spagnaruolo” and the courts speaking in moscheta, Betia ends up accepting the amorous advances, then pretending of recognition when her husband pursues her and threatened to death. Triggered by these premises, it takes an overwhelming game of bravado and revenge, which involves the three men in an attempt to conquer, each in its own way, the beautiful Betia, which does not scruple to spend in the arms of rough Tonin the bed the clever Menato, eventually keep at home while her husband.

MAXIMUM THEATRE
by De Magistris 12 – Cagliari
tel. 070/6778129 -120
fax 070/6778192

INFOPOINT / PRE Viale Trento, 9
Monday to Friday from 10 to 13 and from 16 to 19.
Saturday from 10 to 13 and from 16 to 19 (special opening until 27/10/12)

TICKETS / INPUT Via De Magistris, 12
Monday to Friday opening hour before the show.
Saturday, Sunday and public holidays (performance days)
from the 17th to the beginning of the show.

DANILO SODDU, MARCO MURGIA
biglietteria@teatrostabiledellasardegna.it
Tel 070.6778129

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