ARIE with LELLA COSTA – THEATRE MASSIMO – CAGLIARI – 1 TO 2 DECEMBER Reviewed by admin on . ARIE IRMA SHOWS directed by Giorgio Gallione with LELLA COSTA MASSIMO THEATRE - 1-2 DECEMBER AT 9:00 PM INFO AND RESERVATIONS: Viale Trento n ° 9, Cagliari 070/ ARIE IRMA SHOWS directed by Giorgio Gallione with LELLA COSTA MASSIMO THEATRE - 1-2 DECEMBER AT 9:00 PM INFO AND RESERVATIONS: Viale Trento n ° 9, Cagliari 070/ Rating:

ARIE with LELLA COSTA – THEATRE MASSIMO – CAGLIARI – 1 TO 2 DECEMBER

ARIE
IRMA SHOWS
directed by Giorgio Gallione
with LELLA COSTA

MASSIMO THEATRE – 1-2 DECEMBER AT 9:00 PM
INFO AND RESERVATIONS:

Viale Trento n ° 9, Cagliari

070/6778120-129

biglietteria@teatrostabiledellasardegna.it

With his passionate monologues, Lella Costa goes directly to our hearts and our minds. His narration pressing scours the feminine soul with its wealth of challenges, hardships, pain, light, anger, contradictions.

Achievement Award in March 2010 “A life for music” by the Friends of the Conservatory of Milan (rewarded with her, Luciana Serra and Liliana Cosi), motivated by the recognition of the centrality of the musical element in his performances, inspired Lella Costa a review of his scripts, from Traviata in Alice, from Ameto to Tired of war and others, to see if indeed in all of them there were, more or less explicit, more or less consciously, something “that had to do with the music. ” The answer was quite clear yes: there was the constant presence of music not only as a simple soundtrack, but just like the other voice, as a partner and actor of stage and accomplice. There were also, in every text, songs built with a metrical scansion which made them much more similar to a score that in a script, a solo than a monologue.

In addition, the privilege of working with musicians such as Paolo Fresu and Stefano Bollani. Shows how little romance recited, then. Arie. Propose them today do not want to be only a sort of retrospective revision, but also an opportunity to stitch together moments seemingly distant and different and maybe discover that actually there is a thread that unites them, and balance, and holds to time and use.

In recital Lella Costa addresses the issues most dear to her, women in the war. But leaving aside the topicality, because, as she puts it, “in the theater, a moment later becomes already old.” Propose instead today’s best books will not only be a retrospective reinterpretation, but also an opportunity to stitch together seemingly distant and different moments and discover that yes, there is a thread that unites them, and it is firm and resists time and wear. Written by Massimo Cirri and Giorgio Gallio (who also directed signature)
“Having to Lella Costa Victoria – says Viviana Toniolo, artistic director of the theater – it’s a great pleasure, because it represents one of the best examples of theater by women, in which civic engagement is not dark, but rather enhances, irony and the fun. ”

Leave a Comment

You must be logged in to post a comment.

© 2015 kalariseventi.com All rights reserved

Scroll to top